Tuesday, July 21, 2015

New Tutorial - Tentacle Bracelet Beaded with Honeycomb Weave

I recently released my newest tutorial for a bangle bracelet. I called it the Tentacle Bangle because the way the embellishment looks reminds me of the suckers on a octopus' tentacle.
Beaded Tentacle Bangle Bracelet
This tutorial explains how to bead weave a bracelet with one size of seed bead, round or bicone beads, and thread. No fancy shapes required! The Tentacle Bracelet is hollow and somewhat flexible. It is quite substantial, measuring 14 mm wide.
Tentacle Bangle Bracelet
This tutorial includes step-by-step instructions for weaving the bracelet into a continuous bangle. This tutorial is designed for intermediate bead weavers. The tutorial is 12 pages, including about 75 illustrations and photographs. The tutorial is a PDF file that gives step-by-step instructions for the bracelet and earrings in the photos.
This design uses the honeycomb angle weave. It’s like right angle weave (RAW), but with other angles. If you like RAW and want a new challenge, you’ll love this. However, you don’t need to know RAW to follow this tutorial. This is my fifth tutorial using honeycomb weave. The first was the Daisy Chain Cable.
Daisy Chain Cable Bracelet Tutorial
Second is the Delta Queen Necklace.
Third is the Honeycomb Chain Bracelet.
Fourth is the Solaris Bracelet.
And here you can see one last photo of the Tentacle Bracelet. 
https://www.etsy.com/listing/241077024/
As you can see, honeycomb weave is a very versatile weave.  Somehow, I think I'm not done designing with it yet.  As always, thanks for looking.

Thursday, July 16, 2015

New Tutorial - Victorian Parlour Earrings Beaded with PRAW

  Victorian Parlour Earrings
Victorian Parlour Earrings are little earrings made with seed beads and thread. The fan shaped drops are woven with beaded prismatic right angle weave (PRAW) and herringbone stitch. PRAW is a close relative of cubic right angle weave (CRAW). This tutorial is very detailed, written for advanced beginner beaders. Basic knowledge of beading is recommended. Knowledge of CRAW is helpful.
  Victorian Parlour Earrings
This tutorial includes an illustrated discussion of Prismatic Right Angle Weave and how it relates to CRAW. I provide detailed instructions for how to bead PRAW for this design. In the process, you can learn how to read charts like the like those found on my blog at http://gwenbeads.blogspot.com/2014/04/notation-for-cubic-right-angle-weave.html
  Victorian Parlour Earrings
Materials lists and photo galleries are included for all 5 pairs of earrings shown.
  Victorian Parlour Earrings
The tutorial is 14 pages, including about 100 illustrations and photographs. 
  Victorian Parlour Earrings
The tutorial is a PDF file that gives photos, illustrations, and charts to make the beaded earrings shown. If you would like to have a pair of these earrings without actually making them, check out the Earrings Section in my Etsy shop.  I put a few of these pairs in there today.
  Victorian Parlour Earrings
 Thanks for looking!
 Victorian Parlour Earrings

Monday, July 6, 2015

Bridges Paper - Highly Unlikely Triangles and Other Impossible Figures in Bead Weaving

I have been going a little crazy saving a surprise for you all, and today is finally the day to share it!  Meet the Highly Unlikely Tetrahedron.
These are photos that I will be presenting with my paper at the Bridges Conference in Baltimore this month.
My paper is called, "Highly Unlikely Triangles and Other Impossible Figures in Bead Weaving." It is now available from the Bridges website. You can download the free PDF file here.  I hope you enjoy it!
Be sure to browse the entire collection of papers in the 2015 Proceedings of the Bridges Conference.  There are so many great contributors this year; it will be impossible to pick a favorite. Seriously, go brew yourself a pot of coffee, start at the beginning and click on any title that looks interesting. Candy for your brain. If you can make it to University of Baltimore on July 29 - August 1, 2015 (Wednesday - Saturday), you can even go to the Bridges Conference and listen to the authors talk about their papers, which is way more fun than reading them because you can meet the people who wrote the papers and ask them questions.
If you don't know about the Bridges Conference, neither did I until about 2003, when I heard a talk at the Joint Mathematics Meetings by Reza Sarhangi, a Bridges founder and generally fascinating fellow. Reza talked about this meeting where people discuss connections between mathematics, science and the arts, including visual art, architecture, music, poetry and theater.  As I listened, I thought, "I think I have found my people." It was a big moment for me, listening to Reza speak.  So, I went home and wrote a couple short papers on quilting and math, and submitted them for review.  Next thing I know, I was presenting my work to a group of like-minded people, other mathematical artists and mathematicians who loved art. They had many fascinating ideas to share, and they educated each other, plus they had interest in my work and opinions about it. I was in math-art-nerd heaven. I went to four Bridges conferences in so many years, and then I left academia to be an artist, and stopped going, and started going to Burning Man instead and doing art there with that community. Then, after last year with the Genie Bottle, I decided to take a year off of Burning Man, and go back to Bridges this year instead. So I wrote a paper on beading impossible figures, they accepted it, and I booked my tickets.

Then, Kelly Delp and the other organizers sent me an email. They thought my paper was so swell that they asked me to give a keynote address to the whole conference.  That means that I get more time to talk and show slides, and there will be no other concurrent sessions while I will be speaking.  I also get a little spot on their website here among the other keynote speakers, including John H. Conway, Ingrid Daubechies, and Alan C. Kay, who all have their own Wikipedia pages, by the way. So, you get that I'm excited to go and see and meet all the people. They asked me to make a mosaic for their website, which you can see here. 
The mosaic includes photos of our jungle gym Bat Country and the Genie Bottle, two Burning Man art projects that I created with the help of my friends in Struggletent.  The beadwork includes a circular Celtic knot, my cover of the Journal of Mathematics and the Arts with an Octahedral Cluster and a Seirpinski tetrahedron, bacteriophages, DNA, a Highly Unlikely tetrahedron from my Bridges paper, and a few photos of cellular automata, which is the project I'm currently working on.  So stay tuned for that. It's going to be cool. You'll like it.  I promise.

I hope to see you in Baltimore!  As always, thanks for looking.

Saturday, July 4, 2015

Tutorial - Infinity Donut Beaded Bead

The Infinity Donut is a particularly hollow beaded bead woven with just seed beads and drops. It has a huge hole in the center, and lots of smaller holes that are still big enough to accommodate a chain or cord so that you can hang it sideways like a pendant.
Beaded Bead
 We now have the tutorial available as an instant PDF download on our website at a new, lower price!
beaded bead
This pink Infinity Donut beaded bead is available in my Etsy shop.  Thanks for looking!
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